first on decks.de !!! advanced electronics with an distinctive argentinian touch.
a1: liquen - a wide range of experimental yet carefully chosen sound structures framed by a massive rhythm section - south american new school techno which is gloomy and beautiful at the same time.
a2: neutro - motorized intensity focussing on a unique variety of obscure twisted synths - haunting sound art for minimal diehards.
b: rain cover - a deeply refreshing slice of minor-key-based musical stimulation, dominated by plain rhythmic patterns and riddled with subtle sound effects.

organ-driven afro-beat, cosmic afro-funk and raw, psychedelic boogie... just some of the flavours to be found on this highly danceable compilation by samy ben redjeb, founder of analog africa. no effort has been spared!
to document these 15 irresistible tracks and the music scene from the 70s, samy crisscrossed the lengths of ghana and togo in search of the producers and artists - or their relatives. in the process he recorded a dozen interviews, scanned 90 pictures and transferred 120 master tapes. afro-beat airway showcases an amazing diversity of local rhythms spiced with afro-american funk, soul and jazz.

timeless and great girlshirt from musik krause ... 100% cotton printed on american appaerl shirts

timeless and great girlshirt from musik krause ... 100% cotton printed on american appaerl shirts

timeless and great girlshirt from musik krause ... 100% cotton printed on american appaerl shirts

guti on a2 is the south american talent enjoying a recent boom with his post-tribal, neo-minimal grooves. he remixes >perfect stranger< into a roaring percussive journey, full of tumbling congas, dramatic fills and fx. its a heady, psychedelic mix for thelater hours!

schütze dein vinyl zzeitlos für alles was mit musik zu tun hat. alle girl-shirts sind von american apparell, aus 100% baumwolle und schmal und leicht tailliert geschnitten. inklusive rhythmus-statement als minitext auf dem rücken.

roy ayers (born september 10, 1940) is an american funk, soul, and jazz composer and vibraphone player. ayers began his career as a jazz player, releasing several albums with atlantic records before his tenure at polydor records, during which he progressed a new r&b style, slowly molding the new disco genre.

the second release on red sonja is a remix by the american luke hess, with detroit techno beats and dub touches that are characteristic for this artist, this all leads to an atmospherical track that breaks in a hysterical musicality above everything else. vasco ispirian makes a remix with a touch of house, techno and dub, an interpretation rich in sounds that culminate in crescendo. this track has a dynamic pace, without doubt, to dance.

formed by snow patrols gary lightbody as an outlet for his fascination with country music, tired pony began taking shape in may 2009. by october, the solo project had grown into a full-fledged supergroup featuring another snow patrol veteran, iain archer, his wife miriam kaufmann, producer/musician jacknife lee, belle & sebastian percussionist richard colburn, auxiliary r.e.m. member scott mccaughey, and troy stewart. peter buck joined several months later, and tired pony traveled to portland in early 2010 to record the debut album. featuring guest appearances by zooey deschanel, m. ward, and editors frontman tom smith, >the place we ran from< was finished in one week and released later that year.

kaato musics 23rd release comes by labelhead bjoern wilke, and features two sunny house and techhouse tunes. whilst cumbuco is a pure brasilian flavoured piece of funky house music, mendrum represents the driving percussive techhouse of south american open airs. as a very spezial bonus on top, nobody less than man of the moment m.in from desolat delivers a top notch techy version of mendrum, ready to rip off dance floors around the globe. summer in all its facettes, a piece of tender filet for either clubs and open air floors. enjoy your meal!

on the occasion of martin eyerers north-american debut, airdrop comes up with in my house, a blockbuster of a track like only this one man can craft. literally showing the rest of the world how he gets it done in his house, or studio rather, martin blends house vox and chords with his signature technique and groove. maetrik pushes the staggering effect even further with a remix that will stay carved in dancefloor history! also on the record is nycs crazy larry, bringing his very personal analog interpretation to the in my house theme. with a new vinyl coming out on hallucination ltd, threes label, and new glacier productions - with partner pier bucci - profiling on the horizon, larry is the man of the situation! two bonus versions come rounding off a full package. punisher, detroits princess delivers a roaring remix using all of martins elements, processing them through her crazy machines and adding up her raging touch. finally, bostons techno vet, mr. pat fontes brings his famed shuffles into the game.

2 tracks from the 70s by american soul band tavares.

nice price deal !!! american house star junior sanchez present this new cooperation with good charlotte. great elektrohouse / rock mix with great vocal = house hit, as usual for him.

satore is a new talent discovered thanks to his previous releases on labels like minuendo and instabil recordings. a genuine 21st century producer focused on european deep house sounds with an american flavor. in his first release for avantroots he delivers 4 delicate and crystalline tracks, perfect for the coolest dance floors. pablo bolivar remixes >followed by time<, creating a solid track with a sophisticated groove. a good package for different moments and different tastes.

soulful house mixes from the shelter crew for one our favourite american singer! ltd restock

the amazing situation return with two sides of love – gangster love and sutra love. the gangster side is an amazing clash of a skit from american gangster (heavily inspired by the eddy grant produced >funky like a train< by the equals) with donna summer. the resulting blend is as inspiring and surprising as it is unlikely. but with their usual disregard for boundaries and rules, situation seamlessly melt the two original cuts together into a perfect slice of discoid boogie that absolutely sets fire to the dancefloor. on the flip side, love of a deeper and groovier type oozes from sutra love. its a case of yet more top class, bass led disco action thats firmly focussed on maximum dancefloor reaction. this is without a doubt one of the best situations ever! and with heavy releases on disco deviance and their own imprint already under the belt that really is saying something.

the fifth movement bucketround reconnect with >dubbyman< (deep explorer music). in gods country is a complete disc with two original songs >the dawn< and >the twilight< remixed by scott ferguson (ferrispark) and oval future face (bucketround records). the union of 4 cuts make this reference have a more american deep house all the stamp to remind us where we came from and where we go.

wow... keith worthy is coming with some deep juicy detroit tracks! slower paced as we ve heard from him, but drenched in this intense sound that only american pressing plants seems to generate. beautiful strings are layered on the metalic basslines and tight machine percussion. both rockit science and now thats house are equaly well executed house tracks that are essential for every serious house and techno lover!

after five weeks of performing and traveling around brazil, long-term dfa stalwart gavin russom returned home with not only a love for the music he’d discovered there - carioca funk, atabaque drumming, tropicalia, south american-style rave.

prins thomas turned the original >long gone< into a 7 minutes disco proto house madness. it is definitely another winner from past due! the label that brought you the american boogie down.

the big anthems by deep swing, jakatta, west & dj delicious and eric prydz!

fresh 2010 repress !! historia y violencia is a new project exploring the hispanic roots of santiago salazar (dj s2) and j. mendez (silent servant). both producers dissect their latin upbringings as a cinematic theme to create snapshots of the day-to-day blood and sweat that has shaped them as individuals. the sound takes cue from detroit, berlin and chicago to create classic, deep dancefloor tracks. santiago salazar started djing in the early 90s inspired by mix tapes his brother was bringing back from the gay underground scene in los angeles. his style has always been a mixture of house and techno. after moving to detroit, santiago began his music training with mike banks, label founder of underground resistance. he is also half of the duo ican (ican productions / planet e) who have been responsible for some killer techno releases. the central american born j. mendez cut his teeth as jasper in the late 90s/early 2000s, running the california-based cytrax label. a veteran dj from the age of 16, he has performed worldwide in clubs from berlin to osaka. along with technical wizards kit clayton and sutekh, he helped shed light on the small but influential minimal techno scene on the west coast. a chance meeting with karl oconnor in 1999 established a friendship that would later open the door to the sandwell district label in 2006. silent servants sound is a reinterpretation of early 80s post-punk electronics, paired with the deep, metallic sounds of basic channel and downwards.

wt records keeps them coming with the first release from unknown american producer, jon beall. he wears his influences on his shoulder, however unaware of them he is. this record is for fans of squadra blanco, ross 154, nu groove, and >they live<. incredible 12, check!

5 tracks of deeper excursions from the brilliant american legend archetype of black nation and the temp japanese ben gibson of axis fame!

7 oz. records has come to its 4th release in vinyl. label founders siddharta and mr. rovat have finally put the last touches to their musical debut with windy city lights, an explicit dedication to the sound which influenced them in the 90s. its an ep which relives those chicago and detroit atmospheres, enhanced by the solo trumpet played by acclaimed musician omar valle, who gives it a unique jazzy mood intertwined with drum machines and old school tools, an attempt to have the record play in an analogic manner.
the remix was handed over to none other than to brothers vibe, an historical name in the north-american deep and house scene. the result is filled with dub echos, undoubtedly detroit and perfect for any set!

adonis presents the invite by late invitation, three live tracks from a swiss band. its deep house in a nu-disco meets steppers kind of way. its just this side of metro area and that side of non-american bands paying tribute to a funky, soulful style in their own particular way.

alejandro the argentinian fellow, also known for his monikas >funzion< and >e bridge<, released on lomidhigh, alphahouse and sushitech among others, presents us two energetic musical journeys for the meander imprint. this is warm and funky music, simply pure and rich in its dynamic, drive and groove. stunning and very ajejandros own style. the track selva introduces itsself with a temper didgeridoo eclecticism. followed by lush heavy sub basses with a dash of acid and wandering crispy sounds, his tricky rhythm programmings are blowing us away into dramatic dancefloorbliss. spiced up toms between high frequent synthesizers underline its constant presence. a melodic, organic and crafty piece of house music. on the flipside we have >pampa<. the obviously traditional south american influences of our talent merge with modernism, fluxion and frequency precision. an emotional trip that let somehow emerge images of dreamy landscapes while being still a dance orientated killer tune. with this record alejandro emphasizes his creativity as a standout producer for dense and powerfull creations

a tribute to sun ra & >latino in cairo<. this record represents the cairo jazz band responding to the american jazz scene of the 60s & 70s with influences from mongo santamaria to randy weston and sun ra. these tracks were first presented by the ministry of culture in cairo as a prism music production and released with an additional disk by the composer soliman gamil musical images. this release marks the first time salah ragab and the cairo jazz bands definitive works are presented to the west. salah rageb r.i.p
now available on limited edition with 180grams vinyl and a heavy cardboard sleeve!

shaker plates is the vinyl sublabel of the very successsfull digital label >shak digital<. after two releases (including an angel alanis ep, remixed by classics luke solomon) its time for label owner rick n to present his first single, a collaboration with ruediga schneider from gawron paris (nordic trax), produced by sascha braemer and dan caster (supdub, berlin). on vocals you will find nick maurer, leadsinger of the american band greenskeepers (om rec, classic). they get massive remix support from sascha braemer (heinrichs & hirtenfellner, stil vor talent, dekadent) and dan caster (supdub, halbacht musik) themselves aswell as lopazz (getphysical, cocoon, compost, kompakt, circle) and his production partner zarook (kompakt, get physical, italic, circle, gumption).

volume 3 showcases more of the unique tropical music created in panama in the fertile decades of the 1960s and 70s. panama is the thin, tropical bridge that connects north and south america, and is home to three million culturally diverse people, its music is a soulful blend of latin american, caribbean, european and indigenous forms. from bilingual calypsos to guajira jazz, from tropical guarachas to cumbia tamboreras, panamanian musicians fearlessly combined and brilliantly executed styles that reflected their multicultural environment during a turbulent time in the young countrys history. this collection presents more of the golden age of panamanian music and the music of the combos nacionales on rare recordings that have never been released outside the isthmus until now.

drums have been discovered in almost every part of the world. drums first appeared, however, in excavation from the neolithic era. the oldest recorded drum is from 6000 bc. mesopotamian ruins contain small cylindrical drums that are as old as 3000 bc. egyptian tombs have yielded small drums used for ceremonies. several caves in peru contain wall markings depicting drums in various aspects of societal life. it is strongly suspected that indian drums from the middle east are as old as 5000 bc. the american indians used a series of wood and gourd drums for their celebrations and some of these drums are still used in ceremonies today. drums were not always used for music. in africa, where music is simply an interpretation of everyday life in sound, drums were used as speech. simply a pattern of beats played in a certain way could communicate vast amounts of information. jeff mills creates the drummer (pm-022). 6 track 12 vinyl ep. mills communicates through only a classic roland tr-808 drum machine, exclusively made for the purpose maker/axis. each track dedicated for the masters of the art form of drumming like: neil peart, billy cobham, buddy rich and others, mills explores how drum patterns and rhythms remain communicative on a higher level that has endured through evolution of humanity.

a project from spain that was delayed cause we simply lost contact with the artists at the point of signing. the duo seemed to have strong bonds with a spanish clique of the notorious central american gang ms-13. sadly enough, the main producer is in lock-down for a crime committed in the us and therefor we never had the chance to finish this project. it will now be released (finally) as part of the limited when insanity slips in series with a handnumbered screened printed sleeve. the music is pure electronic chaos (think ultradyne). pure analog terror from a project that already ended before even getting signed.

a 12inch ep called here we come is filled with funky, groove and latin techno ryhmes from well known and respected artists in today s techno scene. a side contains american express techno machine bryant baker cooperating with croatian dj and producer miche. their track just deserves to be on the pole position spot a1. funky, groove and unique are just 3 words describing their work as a team. a2 spot represented by upcoming spanish star rantan.
da ghetto party is one track among the others which is really special and exclusively done for >beat forming< this lp. nice and smooth, groove and driving techno.
b side has been reserved for a latino dancefloor kicker done by josh love. the track is called sexiest rasta. jamaican rasta voice, nice groove beat and overrated control over everything. josh did a good work by making this happen. great track to jump on!
the last but not the least is a track done by kai aka vortechtral on b2. nice, smooth, groove and melodic techno track to dance on. great one for filling the 3rd deck with >the badman< voice thru the track.
beatformers are sure that this is an ep to keep an eye on. here we come ep is one of the newest on the market. a new era of techno on the 12inch!

support by marco carola, troy pierce, paco osuna, ambivalent ...
alexi delano, with his second solo contribution to clink, the chilean-swedish-american eloquently brings back what keeps us addicted to minimal: simple, groovy percussive concepts layered under eerie, sexy melodies. gracing this ep are two ravishing, high profile remixes from paco osuna minus, plus 8 and pär grindvik drumcode, spectral. enjoy!

another superbly curated selection of rare and undiscovered gems from the world of afro disco as author of the hugely popular american athlete blog, mr les stache has become an invaluable resource for all eager disciples of the good groove, shining a light on the often forgotten tracks from an overpopulated genre. as a true afficionado, these edits and amends are done with plenty of reverence for the originals, without ever losing site of their need to work the floor aside form including a majestic rework of arguably the best afro disco track ever made kabbalas ashewo ara (retitled kabbooga loo here) we get two more deadly jams concocted from drums lalabye and john ozilas funky boogie as with the first two volumes, these are ludicrously limited (300 copies) so get busy!!

rebolledo is an artist from xalapa, mexico, who is very much part of the comeme family of latin american artists. he s been around from the early days when he used to provide music for the buenos aires based bumbumbox street parties. so far he s had tracks on previous comeme releases, notably pitaya frenesi, but this is his first full release on his own. rebodello is the consummate comeme artist, with a quirky sense of humour, a unique latin american approach to dance music and a lean lo-fi approach to track making that is built to cut through on any sound system. lead track >guerrero< follows in comemes now established strange sense of humour, guerrero means warrrior and is a track about a >guerrero< who comes out at night and dresses in leather, it s all shouted vocals simple beats and 80s style synths. venganza y seduccion means vengeance and seduction and features suggestive panted echoing vocals over a cosmic disco bassline, while atmospheric chords build in the background, if this sounds strange it s because it is, but the combination works really well in a club.
the b side of the record is much harder and more techno-like - marchante is completely different, aggressive kick drums, a pulsing bassline and siren-like synths bring this track a panicked feel, which is offset by the way the drums build into tough patterns. raid features strange nonsense vocals over a pulsing rhythm track that reminds of old chicago acid, if it wasn t for the strange atmosphere. rebodello is a very welcome addition to the world of dance music.

supported by: matt star, tim green, angel molina, butane, nico purman, daniele papini, okain, maik loewen, syntec...
for >la gorgona< luca has been working at studio with his old friend telly quin in hamburg. they ve been recording several sessions using different drum machines and analogue gears. their sessions resulted in two creative cuts >la gorgona< and >2 de noviembre<. this ep comes along with spicy remixes from 2 of todays highly acclaimed latin american electronic music artists. argentinian virtuoso franco cinelli delivers a very hypnotic and deep interpretation of >la gorgona< while chilean talented artist alejandro vivanco stays more on the melodic & tech-house side.

sleazy mcqueens latest offering big times, big tings has a dub ragga house feel to it, showing that the boston-based headtunes recordings aren t afraid to push the boundaries with the music they release. remixer cole medina, producer of legend and mystery , has released music that house and disco djs the world over know and cherish on his own label, house arrest, as well as american standard, hairy claw and internasjonal.

determined to write a new chapter in nycs long history of dance music, marcos cabral and jacques renault (think dfa, rekids, im a cliche, wurst edits, chinatown, editions disco, rvng, trapez, and more) have decided to launch their own record label on the prowl. with a heavy nod to american classic house, techno, and disco, otp listeners should expect a variety of sound that will propel them to dance for years to come. the first otp instalment entitled the poltergeist throws a heavy blow of dark acid bass, todd terry-esque stabs, and proper dubbed out distortion for a feeling that will leave listeners floored... leaving even the most stubborn of listeners open for more. house music, raw and unrestricted. the b-side, not to be overshadowed, brings us dont block the box. an a-side in its own right, delivering us good old fashioned house music with hypnotically filtered samples and pulsing arms in the air swells of resonance.

as house continues to take its stronghold over techno, even in berlin the epicentre of all things minimal, we gear up for a summer of ‘actual’ dancing over regimented arm pumping and head nodding. having impressed laurent garnier, m.a.n.dy, solumun, karotte, tg (tim green) and ellen alien last year with his collaboration with enzo elia, martin patiño caught the attention of true to form with his fresh, playful approach to house and techno and hypnotic percussive elements .born in italy, but with south american roots and now living in berlin, you can hear vibrant audio recollections seeping onto every groove. citing dali’s surrealist paintings as another creative reference (a nod to which is contained in the track title ‘the tempation’), you could say martin draws on the atypical compared to your average electronic producer.the result is the blissful simplicity of ‘sundays’ on the a side, percussive, sundrenched and a perfect am terrace lifter.on the flip side is peak time tech house groover ‘the temptation’ and a hypnotic, dub heavy remix of black dahlia (the original of which will appear on the digital only release) produced with long term cohort enzo elia. true to form, now in its 5th year, showcases tracks and remixes from such respected producers as pan pot, gavin herlihy, jesse rose, samim, pascal foes, mikael weil, justin maxwell, claude von stroke, subjekt, tom ellis, leif and more

disconet was created as subscription program service, which professionally selected and mixed disco music for discotheque djs, mobile discos and radio stations. disconet is called as the granddaddy of all remix services and provided mixed/segued dj dance sets, not only to make the djs job a little bit easier, but to expose club goers to new music. the djs spinning at the height of the disco era were given access to a new creative tool - a different interpretation of current dance tunes to wow club goers. originally, the disconet records were to be issued on a monthly basis which were limited to 1000 - 1500 copies of each volume. the first disconet record was released in october 1977. disconet team at that time was: tom savarese, bobby dj guttadaro and kevin guilmet as well as mike wilkinson. tom, bobby and kevin were dj legends, who had already been awarded with the dj of the year title by billboard. these greatest hits volumes contain their finest work, the original licensed disco edits of all the floor fillers of the time that have been re issued for your listening pleasure. expect many more volumes in the near future.

the second release on the newly formed barcelona label they are changing it comes from barcelona based american dj/producer fluen. on this ep fluen gives us a glimpse into his production range delivering an ep that has a clear chicago/ny house influence , but manages to avoid the conga fever that has swept the scene as of late, and at the same time sounds very current. on the a side, things take off with better days, fun and very dancefloor oriented. the second track on the b side, mary says stands out right away thanks to a catchy piano riff and female cut up vocals,reminiscent of old chicago records. on the b side, fluen mixes things up a bit with a song that catches you from the get go. music remains starts very basic, with a dreamy piano line and a kick that lay the foundations for a song that could easily be a hit, simple, beautiful and very dancefloor friendly. the vocals wisely remind us that >people come and go, times do change and allà. but the music remains<. limited edition of 500 units

the chile house connection continues to sling the dopest stuff to our floors, barely satisfying the constant craving of dancers and punters worldwide for the highly addictive mixture of salacious latin polyrhythmics and organic afro inspired drum sounds with universal electronic 4/4 beats. cut and wraped up neatly by chile born and fastly rising don felipe valenzuela and swiss expat dani casarano, this duo continues with this heated 3 tracker to further cement their reputation from earlier releases on fumalab as a highly combustible combination: elastic compulsively grooving house beats are intervowen with latin-american call and response vocals in >otra vida<, the fittingly titled >push< constantly builds up the pressure even in the breakdowns with frantic, flamenco style hand clapping and >the little house< with its disco style bassline and the conga driven beat hints at the fruitful marriage of latin, soul and dance music in the melting pot of 70s new york. muy rico!!

todd terry remixed to the max on this double 12 inch from 2001.

attention - triple album for the price of a double! mothership tranmsission 019 – >voodeux - the paranormal<
two years ago, on the east coast of america, a couple of highly technical production wizards joined forces and created their own genre of strange and creepy techno under the moniker, voodeux. one from boston and the other from philadelphia, tanner ross and james watts first released >the curse< ep on mothership in 2008 with great success. with dj support rolling in from everywhere claude vonstroke soon commissioned them to record a full-length album of this new moody sound. voodeuxs debut album, >the paranormal< is a concentrated vision of myth and mysterious beats, exploring the eerie after-life side of techno like no other artists have done to date. it is a vision of ghosts and goblins hiding in the closet ready to scare the daylights out of you. using dark funk, ghoulish atmospheres and futuristic production, voodeux is staking their claim as the next generation of american techno and >the paranormal< is a techno masterwork for the modern underworld.

this record is filled with south in the boxes of luciano, laurent garnier, karotte, alex kid, dj fex, dj t. !!! american sounds and influences. its artists include the founders of the chilean label andes music (alejandro vivanco, dani casarano, felipe valenzuela...) with marcelo rosselot as the producer of the original track, and francisco allendes (monomachine) with an awesome remix.

remixes by shinichi osawa, k.i.m., light year, flight facilities featuring louis austen
bag raiders return from their middle american bowling alley dj tour to release the turbo love remixes on banggang 12s. ditching the b-side (to be re-released as its own a side real soonà.watch this space) this package turbos up, straps on some nitrodepth chargers and shoots the tune off into the noisy dancefloor hit-o-sphere. shinichi osawa. wow. his remix can only be described as power- dance. he takes the original, whacks even more turboness on it and re-sings the vocal himself to make an abrasive almost-but not-quite- trance hands in the air blisterer . the perfect soundtrack to your late night steroid and powerade party. kim took a short break from his role as presets party machini to reverse a monster truck and a half full of donks onto the original that hots-it-up into a turbospeed booty monster.

spanish producer sergio fernandez follows up his album on baroque last year, with this double header single.. techy electronic goodness in the form of sarkis, with a slammin remix from american producer saeed younan, from saeed and palash